COPYRIGHTS - INTELLECTUAL PROPERTY
Advantages
of Copyright Registration
Copyright and
Fair-Use site
Copyright Basics
How do I find out
whether a book is in the public domain?
How to get
permission from a copyright holder
Intellectual
Property Online
Legal
Fiction - "Legal Fiction provides legal research
and consulting services to novelists, screenwriters
and television writers who want to accurately incorporate the
law into their stories."
New Rules for Public Domain Materials Attorney explains the
implications of the Sonny Bono Copyright Term Extension Act on works in
the public domain.
Protection of
Fictional Characters Attorney offers some great advice
concerning the protection of fictional characters and their
characteristics.
Protection of
Literary Titles While copyright law protects the contents of a
book, this article by Lloyd L. Rich describes how the title can be
protected as well.
Publishing Contracts
Ten Common Copyright Permission Myths
Publishing Attorney Lloyd J. Jassin debunks some common myths about
copyright and the public domain.
When
Copyrights Expire
US
Copyright Office
Copyright Website
- real world, practical and relevant copyright information of interest to
infonauts, content providers, musicians, activists, infringers, and law abiding
citizens.
Cognizance of Copyrights and Copy Wrongs
- an Ethical Edge in Education. Paper presented by Duane Goehner at the
International Education Conference.
Hot Property
- resource on electronic media and copyright/intellectual law.
Stanford University Libraries - Copyright
and Fair Use - copyright resources, emphasizing libraries, cyberspace, and
NII legislation.
Web Page Content
FAQ - Usenet Copyright
Myths - common myths about copyright and related law with respect to the
net.
CONTRACTS
Publishing
Central: Contracts
Publishing
Contracts - Articles
Putting
a Price on Your Capabilities: How to Set Your Fees as a Freelance Writer
Compilation Rights in Book Contracts The Internet and print on
demand technology including the coming use of in-store kiosks, has given
the reading consumer the power to create his or her own book or
compilation of printed materials. Are you as a publisher or author ready
for the future?
Contract
FAQ A basic guide to understanding contracts, from science
fiction writer Tara K. Harper.
Delivery and
Acceptance of a Manuscript You've just received a manuscript
from an author, and your editor thinks it stinks. What are your options?
Electronic Issues in Publishing Contracts Publishers and authors
alike should be reviewing the agreements they use or sign respectively to
make certain those agreements reflect their positions when it comes to
these all-important issues.
Electronic
Rights: Publishing Agreement A discussion of the grant of rights
and royalty clauses in publishing contracts.
Get it in
Writing: Why You Need a Valid Publishing Contract Publishing
attorney Lloyd L. Rich explains why a proper publishing contract is
essential.
Out of Print
Provisions in Book Contracts This clause in a book contract is
often glossed over but rights to a book that may appear to be no longer a
marketable title may have important implications.
Publication of
Photographs: Is A Release Required? There is no area of
photography that is more controversial and unsettled among legal and
photography professionals than the issue of when releases are required.
Attorney Lloyd Rich examines the issues.
Ten Key
Negotiating Points in an Author-Publisher Agreement Attorney
Ivan Hoffman offers a general overview of the key contractual issues that
authors and publishers must contend with.
The Book
Publishers Legal Checklist The importance of written contracts,
and some basic information on the contracts a publisher should have to
acquire appropriate rights.
The Cover
Artist/Illustrator Contract Publishers should never pay cover
artists and illustrators to do work without having a sufficient contract
covering the issues about who owns the rights to the artist’s work. Ivan
Hoffman explains why.
The
Indemnity Clause in Book Contracts A look at the provision
found in most publishing contracts requiring the author to stand behind
his or her work.
TAXES
Links for Freelance
Writers -- About.com's list of useful links,
includes marketing/fees, contracts, queries, style guides, taxes,
training, more
Taxes
-- an essay by Cyn Mason.
The Publishing Law Center - A law firm for publishers of
magazines, newsletters, books, & multimedia products with
services including copyrights, trademarks, contracts, licensing,
& rights.
Canadian
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Copyright
Infringement Can Be Fun & Profitable
Reprinted with permission from the author.
At 04:01 AM
2/5/01 +0000, Gloria Wolk wrote: I inadvertantly discovered
through an Internet search ... a 140 page document that included
2 pieces that I wrote. I was never asked for permission nor
notified that it was being published. ... I would appreciate
suggestions about handling this.
This is
once again, the topic of the day. Here is an article I wrote and
posted many times, in response to similar questions. The facts
patterns of the problems you'll see here are original posts, and
you'll see the similarities abound.
Now please don't take this as bona-fide legal advice. You have to
go to a real lawyer, like Ivan, and pay hefty fees to receive
personal information on your particular facts to receive true
legal advice.
>
> >>At
11:08 PM
6/29/98
-0400, (Bill Warner) wrote:
>
> > as long as the attribution is there. If it is published on the
Web for the world to read, it can certainly be copied.
Original article from June 29, 1998 =============== feel free to
post with signature below.
Lots of fun to have with this question.
Sorry Bill, not quite correct. In fact Bill's statement shows just
how risky it is for authors and publishers to remain uninformed
about the copyright laws. Time to get with it folks.
However as with most legal questions, the answer to the key
question -- "is the use of a writing prohibited and actionable
under law?" is -- ta da:
It depends.
I'm going to put my once-upon-a-time attorney hat on, and give you
the two minute discourse. Just remember folks, this is not
bona-fide legal advice. Just words from a former attorney turned
publisher and now custom news distributor, with a few legal books
and case law at his fingertips.
The US Copyright law, BTW, is one of the most amazing statutes to
ever have been created. Just think of the industry it has created
-- and it was written nearly a century ago. Can you imagine the
foresight of the lawyers and Congress when they were contemplating
whether to pass this law? Wow. This is definitely one of the best
laws in America. I love this law.
US
Copyright laws and regulations grant a "copyright protection
whenever an original creative writing is fixed in a tangible
medium, e.g. paper, or a computer file. However, there are several
key exceptions to the copy right laws that one must take into
account.
To acquire the best protection for a creative writing, it is best
to register the copyright by submitting the writing to the Office
of Copyright with a Form T and appropriate payment, but this will
only be of value in a contest or lawsuit down the road. The
registration protects the filer from a contest later on. The first
in time usually wins the first in right.
Original means that the work owes its origin to the author.
The copyright may not belong to the actual author if the writing
was created as a work for hire. In other words you wrote the work
for someone else who paid you. This is often the case when you
hire someone to create a web site, but watch out for fine print in
the contract that leaves the copyright in the hands of the web
author -- not you. Sneaky
ISP's actually
have been known to do this.
If someone sends me a news release and I transmit it. The
copyright is their's. "For Immediate release" constitutes a waiver
of copyright protection of any copyrighted writings contained
therein. Also, I'm a publisher and they give me permission to
publish it to locations known and unknown. But go to PR Newswire
and when transmitted it may actually go out with a PR Newswire
banner and a PRN copyright on it. Now figure that one out???
If you're the actual author, the copyright is yours, if you wrote
the work for hire the copyright belongs to the person for whom you
were working. If a work is created by an employee within the scope
of his or her employment, the employer owns the copyright. Thus if
you hire me to write the news release, the copyright is yours, and
the news release is a work for hire.
Most published works contain a copyright notice, though not on
every page. For works published after March 1, 1989, the copyright
notice is optional. Putting the words copyright or a big circle C
on a work provides notice -- it helps people see that the work is
copyrighted.
But the fact that a work doesn't have a copyright notice does not
mean that the work is not protected by a copyright.
It is true that copying a very small amount is not a violation of
a copyright. But what constitutes a "small amount" has been
litigated across the spectrum. 300 words has been held actionable.
50 words is actionable, especially if it is the best part. Try
using the words Coca Cola in a commercially profitable way without
permission. (BTW, my use of the words Coca Cola here is fair use).
Copying any part of someone elses work is risky. You may have to
run the risk of defending yourself in a lawsuit. Expensive. You
may have to deal with public humiliation.
The easy way out of all legal entanglements and bad will is to
simply get permission to include or use the writing. Compensation
(required in any legal business transaction) need not be financial
-- it could be sufficient consideration to offer the recognition
that comes from the publication. This is cross promotion, and it
is done widely by publishers all the time. I cannot imagine a sane
web site owner saying no to free publicity. But you cannot assume
that an author will be happy that you published his or her work
without permission. They may wish to license your use or receive
some alternative form of consideration in exchange for your use of
their work.
If you give credit to an author or owner of a copyright, you
certainly are are not plagiarizing that person's work. But you
still may be violating his or her copyright.
You also can't simply change a few words here and there to avoid
copyright infringement. A judge would simply compare the original
and the adultered version and look to see who owned the copyright
to the original creative work.
To cover your bases, you must get permission. Even an e-mail note
will suffice to cover future potential liabilities. Sometimes,
formal jointly signed highly detailed and lengthy permission
statements are needed. Mostly not -- permission must however
expressly cover the intended use of the writing, and will only
cover the expressly identified use of the writing. Thus an e-mail
that says "you can put a link on your web site", is different from
"you can use this comment or testimonial in your books, promotion
and marketing materials".
Both are satisfactory. Both are specific. If your first permission
is not broad enough to cover a second intended use, simply ask
again.
There is an exception called fair use. There's a lot of litigation
over what constitutes fair use.
Generally, fair use occurs when the authors writings are used for
non-commercial purposes, as in educational materials, or in a book
review. Traditional fair use covers commentary, criticism, news
reporting, teaching non-profit use, but not entertainment or for
any commercial gain.
So if you incorporate someone's writing into a publication that is
sold for profit -- watch out.
Facts and ideas of course, cannot be copyrighted either. The
copyright just doesn't cover the facts in a writing. It may cover
the creative and original way in which the facts are presented.
Finally -- the key question to the one whose copyright may have
been infringed:
Answer -- It depends!
The decision hinges on whether going after one who violates a
copyright or infringes on a copyright and getting damages worth
the cost and effort of doing. Some might say that money is not the
question -- it may be honor. You may be satisfied with a minor
negotiation, or a voluntary cease and desist. If someone has made
a movie off a book you wrote, it may be worth millions.
Key thing to remember is to keep your cool when approach a
copyright infringer. Be carefull. Be professional.
Get a little angry yes -- but then put your thinking cap on and
think up how to benefit from the (illegal) use of your writing.
Strategize all the ways to turn the use to your advantage.
In the publicity business, they say that there's no such thing as
bad publicity. The bright side is that you get published -- people
see your name. Same here. The question is can you get more and can
it be beneficial?
With improper use by major media, the answer is almost always yes.
That's because they cannot afford to become known as a copyright
infringer. With celebrities -- read the papers -- they voluntarily
settle for millions.
With those who rip off writings and use them at their web sites,
some lesser form of compensation is desirable. You should explore
this when it happens.
This is the business of publishing, and be it known -- it goes
with the territory. Successful people are copied -- they are
approach and used to the limits of legality with and without their
knowledge all the time.
When dealing with a copyright infringer, your initial tactics will
likely determine the outcome because it will have an immediate and
direct effect on the degree of cooperation, and the nature,
direction and magnitude (e.g., severity, if you're not careful) of
the response.
Think carefully about what you might want in return for some
compensatory actions on their part.
You can profit when someone violates your copyright without
getting legal about it. If you play your cards right, you may get
quite a lot of good and valuable things in return.
Paul J. Krupin, JD (no jokes please!)
Paul J. Krupin Custom Targeted PR
The Right Markets, The Right Message, The Right Media
www.DirectContactPR.com
800-457-8746 509-545-2707
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